- Field Notes / Chief Creative Office
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Chief Creative Office

For the Record

The masthead of the Chief Creative Office 4 published · 2 in research

Narrative, expose and the human story.

The Chief Creative Office publishes the piece that tells you what happened. Named phenomena, composite case histories, and the decisions people actually had to make - written first-hand, for artists and the people who manage them.

- Voice
First person and journalistic. It argues, and it says who it is arguing with.
- Written for
Artists, managers, and anyone who needs the story before the spreadsheet.
- Slate
6 dispatches under this masthead
- The slate

Published under this masthead.

No. 029

How bot streaming is jeopardising the future of music.

Streaming data has become the currency of modern music. An argument for why artificial streams are fraud rather than clever marketing, and what a real audience actually looks like.

Published Musicata Pro 4 min read
No. 028

The music industry does not recognise people. It recognises data - and that is why royalties sit in Suspense.

Identity matching is one of the least understood and most important parts of the modern music business. How four spellings of the same name become four different people, and what an identity map does about it.

Published Black Box 5 min read
No. 027

Duplicate-upload royalty hijacking: criminals are no longer chasing streams. They're chasing master recordings.

Streaming fraud has moved upstream. A forensic read on duplicate-upload royalty hijacking, and why the master recording, not the stream, is the asset under attack.

Published Black Box 5 min read
No. 017

The Eastern European streaming anomaly: a case study in geographic fraud.

Streaming fraud is not random. It clusters geographically and operationally. A composite case showing how a coordinated playlist network generates high play counts with zero legitimate engagement.

Published Musicata Pro 5 min read
No. 018

Why your artist's TikTok spike will not appear in next month's streaming statement.

The conversion rate from social virality to DSP streaming revenue is poorly understood, consistently overstated, and structurally lagged. Most artists and managers are not aware.

In research Musicata Pro 11 min read
No. 022

The estate that did not know it owned half the song.

A 1970s co-write, a deceased writer, a publisher acquisition in 2004, and three conflicting society registrations. A significant royalty balance uncollected for over a decade.

In research Black Box 18 min read
- Commissioning

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Every Office takes commissions. If there is a question you need answered under this masthead - a control you need written down, a pool you need sized, a case you need told - put it to us.

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