Field Notes from the four Offices.
Source-backed dispatches from four Music Intel Offices. Each published note identifies its evidence class, dates, method, limitations and direct sources so readers can separate public evidence from Music Intel analysis and editorial opinion.
Chief Creative Office
For the Record
Narrative, expose and the human story. First person and journalistic. It argues, and it says who it is arguing with.
How artificial streaming puts music decisions at risk
An editorial view, checked against platform policy and a federal fraud case, on why genuine listening intent matters more than inflated headline counts.
Why identifiers and identity matching matter to royalty allocation
Names, aliases, roles, works and recordings must be connected with evidence. A plain-language guide to identity records, unmatched royalties and suspense.
Unauthorised uploads and recording identity abuse: what the public evidence establishes
Unauthorised uploads and malicious artist-profile attachments are documented. Their frequency and any direct royalty-diversion mechanism are not established by the public sources reviewed here.
How publication works.
Published notes pass an evidence gate and show their source list, method and limitations. Evidence-incomplete drafts remain out of search, feeds and product journeys until that work is complete. To receive new Field Notes by email when they post, drop us a line.